Author: ultroni1

Nothing sours a perfect day out on two wheels faster than a flat tyre.

One moment you’re cruising with the wind in your face; the next, the rubber beneath you starts to sag.

But don’t panic – it’s not the end of the ride.

With a bit of know-how and the right tools, you can be back on the road in no time.

First things first: find a safe spot by the roadside to work. Avoid blind corners or narrow shoulders – safety comes before speed.

Once you’re settled, flip the bike over or prop it securely to inspect the problem.

A quick visual check usually tells you where the air’s escaping.

Sometimes it’s a nail, a shard of glass or even a thorn still embedded in the tyre. Other times, it’s just a slow leak from a tiny puncture you can barely see.

Next, remove the wheel.

It’s a straightforward process on most modern bikes.

Mid-range and high-end models typically have a quick-release skewer – a small lever at the axle that, when flipped and twisted, frees the wheel.

If your bike has rim brakes, you’ll need to release the cable that holds the brake arms before the wheel comes off.

For disc brakes, the wheel slides right out once the skewer’s undone.

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Andrew Werner needed to stand out.

In 2014, he was hired as a photographer to cover a gala at Cipriani’s midtown event space in New York City. He wanted to catch the eye of his subjects, but couldn’t find any appropriate boutonnieres that were “in line” with his black suit and also “spoke” to his personality.

Taking matters into his own hands, he found a fabric shop in Manhattan’s garment district and purchased some burlap.

Once home, he handcrafted the material into the shape of a rose, and painted it fire engine red.

“That was my first lapel flower,” said Werner, whose parents’ families had roots in jewellery and men’s suiting.

Compliments were plentiful. Phone inquiries followed. And soon after, orders.

Almost 2,000 customised boutonnieres later, Werner’s accessories have adorned the lapels of well-known people, including Al Roker, former US president Bill Clinton and Jessica Carter Altman.

There have also been collaborations with the New York Botanical Garden celebrating Van Gogh’s Flowers exhibit; custom cashmere collections for Bergdorf; included in Oprah’s Favorite Things, and of course, weddings.

“People love to take unused real estate and incorporate personality into a mundane, pedestrian outfit,” Werner said.

Werner, 38, runs Fleur’d Pins from his one-bedroom apartment in Manhattan’s Tudor City, in addition to his work as a photographer.

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Just days after a stunning heist at the Louvre Museumin Paris, speculation is growing around where the lavish, stolen jewels that once adorned France’s royals might end up.

A handful of experts warn that the artefacts valued at more than US$100mil (RM423mil) could soon – if not already – be melted or broken into parts. If done successfully, some say those smaller pieces could later go up for sale as part of a new necklace, earrings or other jewellery, without turning too many heads.

“You don’t even have to put them on a black market, you just put them in a jewelry store,” said Erin Thompson, an art crime professor at the John Jay College of Criminal Justice in New York. “It could be sold down the street from the Louvre.”

Thompson and others say that this has become increasingly common with stolen jewelled and metal goods, noting that it’s a way thieves can try to cover their tracks and make money. It’s not like someone could publicly wear one of France’s Crown Jewels stolen on Sunday – and finding a market to sell the full artefacts would be incredibly difficult after “everyone and their sister” has seen photos of them over the last week, said Christopher Marinello, a lawyer and founder of Art Recovery International.

“By breaking them apart, they will hide their theft,” Marinello said, adding that these items could become even more “traceless” if they’re taken out of France and through jewel cutters and robust supply chains in other countries.

Still, such pieces are often sold for a fraction of the value of what was stolen – due to their smaller size, but also because melting or breaking down high-profile items removes the historical worth.

It isn’t a simple process.

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Limp Bizkit co-founder Sam Rivers reportedly died on Saturday (Oct 18) while under medical care at his home in Florida for an unspecified illness.

The 48-year-old nu metal bassist, who previously spoke about having undergone a liver transplant, was initially reported as a “nonresponsive person in cardiac arrest,” a spokesperson for the St. Johns County Fire Rescue told TMZ on Tuesday (Oct 21).

“Deputies responded to an attended death at that address,” authorities confirmed to the outlet. An attended death, similar to someone being in hospice care, means the deceased had been receiving care for a likely life-threatening condition.

Despite how the Jacksonville native’s death was reported, an exact cause of death remains unclear.

Limp Bizkit on Saturday paid tribute to “the one and only Sam Rivers,” announcing on Instagram that they’d “lost our brother. Our bandmate. Our heartbeat.”

“Sam Rivers wasn’t just our bass player – he was pure magic,” read a statement from founding frontman Fred Durst, guitarist Wes Borland, drummer John Otto and turntablist DJ Lethal. “[He was] the pulse beneath every song, the calm in the chaos, the soul in the sound.”

Rivers temporarily left Limp Bizkit in 2015 due to liver disease that stemmed from “excessive drinking,” as he explained in Jon Wiederhorn’s 2020 book, Raising Hell: Backstage Tales From The Lives Of Metal Legends.”

Rivers rejoined the band in 2018 after undergoing a liver transplant, and stayed with the group until his death. His last live performance was at the Leeds Festival in England on Aug 24.

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Once a week for the past month, more than 20 children – along with their parents and caregivers – have been gathering at Music Mart in Petaling Jaya, Selangor to rehearse for their upcoming concert, Unveiling Uniqueness 2: A Musical Celebration of Diversity.

On Monday evenings, the space fills with laughter, music, and bursts of confidence. Just this week, the kids were joyously belting out Queen’s Bohemian Rhapsody!

These are no ordinary kids. Each lives with a disorder or challenge they’ve grown up with – and yet, they continue to shine in their own remarkable way.

“It’s one thing knowing that these kids are talented; it’s quite another to witness their prowess for yourself,” says the concert’s organising chairman, Edwin Nathaniel.

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A drug originally developed to treat Alzheimer’s disease may also help teenagers with autism improve their communication skills, according to a new study.

The drug, called memantine, works by blocking brain receptors for glutamate, a chemical messenger that can be harmful in high amounts.

However, lowering glutamate levels can slow brain damage in certain conditions.

One brain region with many glutamate receptors is the pregenual anterior cingulate cortex (pgACC), which plays a role in social behaviour and emotional awareness.

Autism spectrum disorder – an umbrella term for various forms of a developmental disorder – begins in early childhood and affects around one in 127 people worldwide.

Children with autism have difficulties in social interaction and communication.

They exhibit stereotypical behaviour and have limited interests, often avoiding physical or eye contact.

At the same time, they are often reliable, honest and direct, and have special talents in certain areas.

Researchers at Massachusetts General Hospital and Harvard University in the United States tested memantine in a new clinical trial, giving the drug at higher doses to a specific group of children with autism.

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For emerging artists, residencies can be transformative — they offer space to grow, challenge assumptions, and form bonds that stretch beyond borders.

At Akaldiulu, a 1.6ha studio and orchard in Hulu Langat, Selangor, the Barehands Residency embodies this spirit of exchange.

This residency programme is led by veteran artist/printmaker Juhari Said.

Founded in 2010, Barehands Residency has nurtured nearly 50 artists through mentorship and shared practice, emphasising trust, dialogue, and experiential learning over rigid outcomes.

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IN THE highly competitive landscape of Malaysian hospitality, where sleek towers and luxurious amenities vie for attention, the true measure of a leader lies in their philosophy—the underlying belief that steers the ship.

For Ascott Malaysia country general manager Mondi Mecja, that philosophy is centred on a simple, yet profound concept: shared value.

With a career spanning almost three decades, Mecja has moved far beyond metrics of occupancy rates and revenue, instead focusing on benefits for guests and society.

“In our industry, we aim to address social problems that intersect with hospitality by creating measurable economic benefits for society in general and all our associates or external stakeholders,” said Mecja.

This isn’t just corporate jargon for Mecja, but a belief system that views every property as an integral part of its local community, a principle that earned him the Leadership Personality Award (Most Outstanding) at the Hospitality Asia Platinum Awards 2018-2020.

Vision of 2030

Mecja describes his personal leadership style as that of a “servant leader”, someone whose primary goal is to empower and uplift those around him, be it guests, associates, owners or stakeholders.

For him, Ascott’s success is not a personal victory but a collective one, built entirely on the talent of his team.

“One of our key strategies that I always believe we should focus on is our people. We need to invest in our talents, because it is through their hard work and dedication that we have reached where we are now,” he said.

“To foster a motivated team, I will always be around them, listen to their ideas and drive engagement among my colleagues. Our success is measured by the way we develop and grow our team to build a resilient corporate culture.”

This dedication to people is the engine driving his bold long-term vision: for Ascott to be the leading hospitality player in the country by 2030.

With 28 properties currently operating and 22 in the pipeline, the strategy to double new property signings is aggressive, but Mecja is betting on the group’s agility and the strength of its people to get there.

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Every spring, the cherry blossoms painted the park in delicate shades of pink and white, a sight so breathtaking it felt like a dream. Beneath the oldest tree, a girl once made a promise to a boy — that no matter how far they went, they would meet again when the flowers bloomed. Years passed, and life took them on different paths, but the memory of that day lingered like the scent of petals in the wind. Each spring, she returned, waiting under the same tree, wondering if he still remembered.

One fateful evening, as the last petals began to fall, she saw a figure walking toward her. Time had changed him — his hair darker, his smile softer — but his eyes still carried the warmth she once knew. Without words, he handed her a small origami crane, just like the ones they made as children. “I never forgot,” he said quietly. The cherry blossoms swayed gently around them, as if the world itself was blessing their reunion. Underneath that timeless tree, two promises finally found their way home.

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In a quiet corner of the city stood a little café that time seemed to forget. The walls were covered in faded photographs, each telling a story of laughter, tears, and fleeting moments of love. Every evening, an old record player would fill the room with soft jazz melodies, drawing in strangers who needed a place to rest their weary hearts. The barista, a woman in her thirties with a mysterious smile, always greeted each guest with warmth — as if she already knew their sorrows before they spoke a word. People said her coffee could heal, but in truth, it was her silence that comforted them most.

One rainy night, a man walked in with a worn-out notebook. He ordered his drink and sat by the window, lost in thought. The barista watched him quietly as the rain tapped against the glass. When he finally looked up, their eyes met — and for a brief moment, they both felt as if they had known each other from another lifetime. The café’s clock ticked softly, the record spun its final tune, and time stood still. From that night on, he came every evening, not for the coffee, but for the unspoken stories shared in the stillness between two souls.

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